Professional non-linear editing and color correction!
DaVinci Resolve 12.5 Studio combines professional video editing with the world’s most advanced color corrector and incredible new effects so now you can edit, color correct, add effects and deliver projects from start to finish, all in one single software tool! This massive new update features 1,000 enhancements and 250 new features that make editing faster and color better than ever before!
DaVinci Resolve 12.5 Studio is the same version of the software used by professional Hollywood editors and colorists on virtually all major feature films, episodic television programs and commercials! You get ultra wide dynamic range 32-bit float YRGB image processing and GPU acceleration for producing beautiful images that no other system can match.
With a huge number of new editing features, DaVinci Resolve 12.5 now has virtually every editing and trimming tool imaginable! You get context sensitive trimming, an intuitive edit overlay for quickly assembling edits and more. In addition to its professional editing features, you also get unique tools that you won't find in any other software such as the new ripple overwrite and a revolutionary new audio waveform overlay that makes finding and editing to audio cues incredibly fast!
DaVinci Resolve features an incredibly rich set of primary and secondary color correction tools, along with new HDR tools and ResolveFX. Unlike other editors, which force you to do color correction on an editing timeline, DaVinci Resolve 12.5 Studio has a dedicated interface designed for high end color work that goes far beyond any other editing system. Best of all you can switch back and forth between editing and color correction at any time with a single click!
DaVinci Resolve 12.5 introduces ResolveFX, an amazing collection of high performance GPU accelerated plug-ins such as blurs, light rays, mosaics and more! You also get more transitions, on-screen title editing, improved keyframe animation and curve editing in the timeline, new speed ramp effects and Fusion Connect, which lets you link and send shots to Fusion for visual effects!
Additional Features in DaVinci Resolve 12.5 Studio
DaVinci Resolve 12.5 Studio has the same features as the free version, but also gives you additional creative tools such as temporal and spatial noise reduction, optical quality motion and blur effects, lens distortion correction, de-interlacing, lens flares, lens blur and film grain. You also get the latest HDR (high dynamic range) grading and stereoscopic 3D tools, remote rendering, higher resolution output and an amazing set of collaborative workflow tools that let multiple people work on the same project at the same time!
Current model MacPro, iMac or MacBook Pro with a minimum of 2GB of graphics memory. A fast hard disk for video, 16GB of system memory, Mac OS X 10.10.5 or higher, at least a 1440 x 900 resolution display and OpenCL. For a list of compatible formats, codecs and interoperability information, visit the Blackmagic Design website.
The full retail version of DaVinci Resolve 12.5 Studio, which is available from Blackmagic Design resellers, adds compatibility with CUDA, works with even more OpenFX plug-ins as well as VST plug-ins and can be used with even more control panel options!
UNIQUE EDITING FEATURES
Bins, Smart Bins & Power Bins
Automatic audio/video sync via timecode or waveform
Dozens of professional editing & trimming tools
Context sensitive timeline trimming
Asymmetric & dynamic JKL trimming
Quick edit overlay with 7 edit options
Multi Camera editing
Audio waveform overlays in source viewer
Speed changes & time remapping
Timeline based keyframe & curve editor
On-screen audio mixer & audio plug-ins
Rich Text titling with professional typography controls
Metadata support, keyword tags, import/export via CSV
Customizable keyboard shortcuts
•Added support for the Touch Bar on the new MacBook Pro
•Improved EXR decode and playback performance
•Added support for Grass Valley HQ and HQX codecs
•Added support for decoding MXF ProRes files
•Added support for preserving super-white and sub-black data in ProRes 4444 codecs
•Improved grading and playback performance when working with large node graphs
•Improved support for CR2 files from Canon 5D Mark IV
•Added support for Rec. 2100 in RCM
•Added support for sliders to control Dolby Vision analysis data
•Added support for image orientation flag in DPX files
•Added P3-D65 IDTs and ODTs in ACES
•Added Rec.2020 ST.2084 1000 nits ODT clamped to P3 in ACES
•Increased maximum bitrate for JPEG2000 renders
•Addressed an issue where only one eye was updated while wiping stills in Stereoscopic 3D
•Addressed an issue with artifacts when decoding some Cineform footage
•Addressed an issue with decoding some MP4 files
•Addressed an issue with audio and video going out of sync on some phone camera footage
•Addressed an issue with exporting fades to and from black to Dolby Vision XML
•Addressed a crash with editing Camera Raw settings in the Media Pool
•Addressed an issue with "Preserve source directory" in the Deliver Page
•Addressed an issue with Audio Meters in dual screen mode
•Addressed an issue where data burn-ins are sometimes not seen on the Edit Page
•Addressed an issue with rendering one channel per track on Linux
•Addressed an issue with highlights in Lum Vs. Sat when adjusting shadows
•Addressed an issue with decoding Canon XF AVC Intra 12-bit files
•General performance and stability improvements